Artsy: 22 for 2022
In Auction

About the Work

Lee Mullican (1919-1998) was a modernist painter best known for his linear palette knife technique. In the mid-1980s at the age of 67, Mullican began working with UCLA’s Program for Technology in the Arts to explore how this signature painting style might translate to the emerging digital imaging technology of the day. Mullican started working with the IBM 5170, equipped with the Truevision Advanced Raster Graphics Adapter (TARGA), and a Summagraphics Summasketch stylus to experiment with painting and drawing on a computer.

Replacing his brush and signature palette knife striations with a clickable mouse and pen-like stylus, Mullican was able to merge the late Surrealist method of automatism with the computer’s instant and precise replication of marks. He stated, “I found that beyond what one thought, the computer as being hard-lined, analytical, and predictable, it was indeed a medium fueled with the automatic, enabled by chance, and accident to discover new ways of making imagery.” Continuing Mullican’s pioneering spirit, the Estate of Lee Mullican is pleased to make available a selection of Mullican’s digital works as NFTs.

Verisart Certified

This NFT carries a Verisart Certificate of Authenticity, a blockchain certificate providing proof of the artist's verified identity and additional context about the work.

The closing time noted at the top of the auction page indicates when the first lot will begin to close. The countdown timer on the artwork pages will display the end time for the lot. Each lot closes in 2-minute increments and will be extended by 15 minutes if a bid is placed within the 15 minutes before the lot’s scheduled closing time.

Kindly note that the entered amount represents your current Bid amount. All bids placed on Artsy are final and non-retractable.

Gas fees can vary depending on network demand and are non-refundable even if you are outbid, for more information see our FAQ.

THE BID PRICE IS INCLUSIVE OF SALES TAX. IF YOU ARE THE WINNING BIDDER AND SALES TAX DOES NOT APPLY TO YOUR PURCHASE, YOU WILL BE RESPONSIBLE FOR THE ENTIRE BID PRICE AND WILL NOT BE ENTITLED TO A REFUND OF SALES TAX.

Contract Address

0x391237023b875607a66b7dd6312cae4a40eb2d47

Token ID

16

Medium

Non-fungible Token

Symbol Black
  • Lee Mullican
  • American, b. 1919

Lee Mullican was born in 1919 in Chickasha, Oklahoma and died in Los Angeles in 1998. Upon his graduation from the Kansas City Art Institute in 1942, Mullican was drafted into the army, serving four years as a topographical draughtsman before moving to San Francisco in 1946.

After winning a prestigious Guggenheim Fellowship in 1959, he spent a year painting in Rome before returning to Los Angeles where he joined the UCLA Art Department in 1961, keeping his position for nearly 30 years. He divided the later part of his life between his homes in Los Angeles and Taos, traveling internationally and co-organizing exhibitions at UCLA. A retrospective spanning fifty years of the artist’s work was organized by the Los Angeles County Museum of Art in 2005.

Mullican is in the permanent collections of the Museum of Modern Art, New York, the San Francisco Museum of Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the Los Angeles County Museum of Art, among others.

About the Work

Lee Mullican (1919-1998) was a modernist painter best known for his linear palette knife technique. In the mid-1980s at the age of 67, Mullican began working with UCLA’s Program for Technology in the Arts to explore how this signature painting style might translate to the emerging digital imaging technology of the day. Mullican started working with the IBM 5170, equipped with the Truevision Advanced Raster Graphics Adapter (TARGA), and a Summagraphics Summasketch stylus to experiment with painting and drawing on a computer.

Replacing his brush and signature palette knife striations with a clickable mouse and pen-like stylus, Mullican was able to merge the late Surrealist method of automatism with the computer’s instant and precise replication of marks. He stated, “I found that beyond what one thought, the computer as being hard-lined, analytical, and predictable, it was indeed a medium fueled with the automatic, enabled by chance, and accident to discover new ways of making imagery.” Continuing Mullican’s pioneering spirit, the Estate of Lee Mullican is pleased to make available a selection of Mullican’s digital works as NFTs.

Verisart Certified

This NFT carries a Verisart Certificate of Authenticity, a blockchain certificate providing proof of the artist's verified identity and additional context about the work.

The closing time noted at the top of the auction page indicates when the first lot will begin to close. The countdown timer on the artwork pages will display the end time for the lot. Each lot closes in 2-minute increments and will be extended by 15 minutes if a bid is placed within the 15 minutes before the lot’s scheduled closing time.

Kindly note that the entered amount represents your current Bid amount. All bids placed on Artsy are final and non-retractable.

Gas fees can vary depending on network demand and are non-refundable even if you are outbid, for more information see our FAQ.

THE BID PRICE IS INCLUSIVE OF SALES TAX. IF YOU ARE THE WINNING BIDDER AND SALES TAX DOES NOT APPLY TO YOUR PURCHASE, YOU WILL BE RESPONSIBLE FOR THE ENTIRE BID PRICE AND WILL NOT BE ENTITLED TO A REFUND OF SALES TAX.

Contract Address

0x391237023b875607a66b7dd6312cae4a40eb2d47

Token ID

16

Medium

Non-fungible Token

Symbol Black
  • Lee Mullican
  • American, b. 1919

Lee Mullican was born in 1919 in Chickasha, Oklahoma and died in Los Angeles in 1998. Upon his graduation from the Kansas City Art Institute in 1942, Mullican was drafted into the army, serving four years as a topographical draughtsman before moving to San Francisco in 1946.

After winning a prestigious Guggenheim Fellowship in 1959, he spent a year painting in Rome before returning to Los Angeles where he joined the UCLA Art Department in 1961, keeping his position for nearly 30 years. He divided the later part of his life between his homes in Los Angeles and Taos, traveling internationally and co-organizing exhibitions at UCLA. A retrospective spanning fifty years of the artist’s work was organized by the Los Angeles County Museum of Art in 2005.

Mullican is in the permanent collections of the Museum of Modern Art, New York, the San Francisco Museum of Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the Los Angeles County Museum of Art, among others.

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