About the Work
25/09/2018 23:50:00 Laura’s birthday. There was a full moon, and we were staying at our favourite place. The light was so incredibly pure and white. Whatever tidal pull that exists, and the light wind produce a swell and we hear the lapping of waves. Even given all the variables of light and weather conditions there is a rhythm to be discerned as the glinting highlights dance over the black water. The lack of any artificial light to pollute the scene with anything as impure as colour, the moon revels in its monochrome gaze, forever fixed upon the earth.
Percy Bysshe Shelley, ‘To the Moon’.
Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?
It is hard to see the moon in all innocence of what we know of its creation, its history, its significance and the poetry it has inspired for millennia or imagine it quite the same after Apollo. The moon is often apostrophised as a lost or spurned love, but the dissatisfaction and restlessness Shelley describes in the poem could be construed today as a loss of innocence, the result of our present culture of distraction.
This NFT carries a Verisart Certificate of Authenticity, a blockchain certificate providing proof of the artist's verified identity and additional context about the work.
The closing time noted at the top of the auction page indicates when the first lot will begin to close. The countdown timer on the artwork pages will display the end time for the lot. Each lot closes in 2-minute increments and will be extended by 15 minutes if a bid is placed within the 15 minutes before the lot’s scheduled closing time.
Kindly note that the entered amount represents your current Bid amount. All bids placed on Artsy are final and non-retractable.
Gas fees can vary depending on network demand and are non-refundable even if you are outbid, for more information see our FAQ.
THE BID PRICE IS INCLUSIVE OF SALES TAX. IF YOU ARE THE WINNING BIDDER AND SALES TAX DOES NOT APPLY TO YOUR PURCHASE, YOU WILL BE RESPONSIBLE FOR THE ENTIRE BID PRICE AND WILL NOT BE ENTITLED TO A REFUND OF SALES TAX.
0x44dcebb4374f7e01ba415c7be243f6c66636ea1c
213
Non-fungible token
- Mark Wallinger
- British, b. 1959
Mark Wallinger (b. 1959) is one of the UK’s leading contemporary artists. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation ‘State Britain’. His work ‘Ecce Homo’ (1999–2000) was the first piece to occupy the empty plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. ‘Labyrinth' (2013), a major and permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work ‘Writ in Water’ was realized for the National Trust to celebrate Magna Carta at Runnymede, and ‘The World Turned Upside Down’ was unveiled in 2019 for the London School of Economics.
Wallinger has created some of the most subtly intelligent and influential artworks of the last thirty years. Wallinger is known for his career-long engagement with ideas of power, authority, artifice and illusion. Using epic narratives, lyrical metaphors and ardent punning, the artist interleaves the mythological, the political and the everyday. A surprising, inventive and profound artist, whose astonishingly multi-faceted work encompasses painting, sculpture, printmaking, photography, film and video, performance and work for the public realm. Stylistic disparity conceals a conceptual coherence, as Wallinger poses big questions about identity, and about the social, cultural and political power structures that guide us, and because of which we are as we are.
About the Work
25/09/2018 23:50:00 Laura’s birthday. There was a full moon, and we were staying at our favourite place. The light was so incredibly pure and white. Whatever tidal pull that exists, and the light wind produce a swell and we hear the lapping of waves. Even given all the variables of light and weather conditions there is a rhythm to be discerned as the glinting highlights dance over the black water. The lack of any artificial light to pollute the scene with anything as impure as colour, the moon revels in its monochrome gaze, forever fixed upon the earth.
Percy Bysshe Shelley, ‘To the Moon’.
Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?
It is hard to see the moon in all innocence of what we know of its creation, its history, its significance and the poetry it has inspired for millennia or imagine it quite the same after Apollo. The moon is often apostrophised as a lost or spurned love, but the dissatisfaction and restlessness Shelley describes in the poem could be construed today as a loss of innocence, the result of our present culture of distraction.
This NFT carries a Verisart Certificate of Authenticity, a blockchain certificate providing proof of the artist's verified identity and additional context about the work.
The closing time noted at the top of the auction page indicates when the first lot will begin to close. The countdown timer on the artwork pages will display the end time for the lot. Each lot closes in 2-minute increments and will be extended by 15 minutes if a bid is placed within the 15 minutes before the lot’s scheduled closing time.
Kindly note that the entered amount represents your current Bid amount. All bids placed on Artsy are final and non-retractable.
Gas fees can vary depending on network demand and are non-refundable even if you are outbid, for more information see our FAQ.
THE BID PRICE IS INCLUSIVE OF SALES TAX. IF YOU ARE THE WINNING BIDDER AND SALES TAX DOES NOT APPLY TO YOUR PURCHASE, YOU WILL BE RESPONSIBLE FOR THE ENTIRE BID PRICE AND WILL NOT BE ENTITLED TO A REFUND OF SALES TAX.
0x44dcebb4374f7e01ba415c7be243f6c66636ea1c
213
Non-fungible token
- Mark Wallinger
- British, b. 1959
Mark Wallinger (b. 1959) is one of the UK’s leading contemporary artists. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation ‘State Britain’. His work ‘Ecce Homo’ (1999–2000) was the first piece to occupy the empty plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. ‘Labyrinth' (2013), a major and permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work ‘Writ in Water’ was realized for the National Trust to celebrate Magna Carta at Runnymede, and ‘The World Turned Upside Down’ was unveiled in 2019 for the London School of Economics.
Wallinger has created some of the most subtly intelligent and influential artworks of the last thirty years. Wallinger is known for his career-long engagement with ideas of power, authority, artifice and illusion. Using epic narratives, lyrical metaphors and ardent punning, the artist interleaves the mythological, the political and the everyday. A surprising, inventive and profound artist, whose astonishingly multi-faceted work encompasses painting, sculpture, printmaking, photography, film and video, performance and work for the public realm. Stylistic disparity conceals a conceptual coherence, as Wallinger poses big questions about identity, and about the social, cultural and political power structures that guide us, and because of which we are as we are.